Music Production Mentoring

We worked through "I Can't Go for That" by Hall & Oates, using it as a vehicle for ear training and harmonic analysis — identifying chord extensions, cadence types, bass-line behavior, and groove mechanics. Covered how to hear stacked thirds as extended chord structures, how to distinguish perfect from plagal cadences by ear, and how modal interchange and line clichés function in a soul/R&B context. Also spent time on the rhythm section: hi-hat patterns, syncopation in the bass line, kick placement, and the relationship between where the bass plays and where it stops.

mixing vocals, listening to a student song and giving feedback, editing mouth sounds and plosives, sidechaining and all the different ways you can use it

Covered recent updates to Logic Pro and the friction they introduce for experienced users — specifically the reorganized content library, changes to Drum Kit Designer, and multi-output routing. Also discussed a past project involving a video-sequencing app with a custom scripting language for audio and video, and briefly touched on Ableton's video sampling capabilities.

Covered mix feedback and hands-on low-end mixing technique in this office hours session. Worked through frequency balance, kick/bass separation using the boost-and-scoop method, saturation for transient punch, vocal stacking EQ issues, and ear fatigue from monitoring too loud. Also addressed song structure and intro length as it relates to listener retention.

We did a deep-dive stem analysis of Steve Miller Band's "Fly Like an Eagle," isolating individual tracks — drums and bass, organ, guitar, synthesizers, and vocals — to examine how each element contributes to the song's overall sound. Key discussion points included the role of the Hammond B3 organ with Leslie speaker in creating the song's harmonic movement, the use of a tape-loop echo unit on arpeggiated synth passages, and the production history behind the track's "happy accident" ending. We also looked at the song's unconventional structure, which grew out of years of live jamming rather than composed arrangement.